Suspended Disbelief relates the author's own perspective and reflective thinking. He tells stories that he sees as significant, many of which will be relatively unknown, stories based on where he has been in person and where he would like us all to go, as communities heeding the lessons of the Holocaust and, indeed, of all genocides. It is, it goes without saying, a difficult odyssey. The issues are challenging and daunting; featuring guilt and culpability with an underlining thesis that there is a need to look much more closely and broadly at where responsibility lies, both at the time of the Holocaust and in its context within the conflagration that was the Second World War, and in the period since 1945 up to and including the present day. The geography of Harrison's journey is necessarily selective. It takes in many places that are global synonyms of horror, locations well known and well visited. It also serves to introduce the reader to other sites that are smaller in size, infrequent of visit, but no less significant in magnitude and meaning. Such places lead one to contemplate things such as the importance of home, of community, of togetherness; the emotional impact of learning, of music, verse and art; the centrality of family and of faith; and perhaps most important of all, the meaning and sanctity of life itself.
