The artists AROTIN tSERGHEI question the predominate language of our time: the constant visual observation of the infinite mutations of "light cells," the smallest components of digital imagery. Their most recent work, Infinite Screen, grapples with themes of endless space, the illusionary surface of images, and the genesis of light. This publication is a survey of the development of Infinite Screen over several cycles of intermedia drawings, pictures, installations, sculptures, and compositions within constantly evolving parameters of scientific, mythological, philosophical, and architectural frameworks.
Infinite Screen was realized in several large-scale variations at Ars Electronica, the Venice Biennal, the Kunsthistorisches Museum Vienna and the Beyeler Foundation.
