KEYNOTE: A survey of leading women artists from the late twentieth century examining the crucial feminist contribution to the deconstructivist movement. Exhibition Itinerary: Neuberger Museum of Art Purchase College, State University of New York, Purchase January 15?April 3, 2011 Nasher Museum of Art at Duke University, Durham, North Carolina August 25?December 5, 2011 The practice of deconstructivism, a term describing artwork that examines the imagery of the popular media, was significantly shaped by dozens of important female artists during a critical era in late twentieth-century visual culture. These artists subverted their source material, often by appropriating it, to expose the ways that commercial images express imbalances of power. The mechanisms of power in mainstream art institutions were also subject to these artists' critique. This exhibition catalogue features a diverse group of North American women whose transformative and often provocative work deals with gender, sexual, racial, ethnic, and class-based inequities. Essays by leading critics discuss such topics as the importance of critical theory and sexual politics in the art world of the 1980s; how domesticity is represented in commercial media and the art that addresses it; the importance of psychoanalytic theory as a critical framework; and the sexualization of inanimate objects. AUTHORS: Nancy Princenthal is a New York-based writer and former Senior Editor of Art in America. Tom McDonough is Associate Professor of Philosophy, Interpretation ACulture and Comparative Literature, Binghamton University, State University of New York. Griselda Pollock is Professor of the Social and Critical Histories of Art, University of Leeds. Helaine Posner is chief curator and deputy director for curatorial affairs at the Neuberger Museum of Art. Kristine Stiles is Professor, Art, Art History and Visual Studies, Duke University. ILLUSTRATIONS 100 colour images *
