Herwarth Walden’s Der
Sturm—the journal, gallery, performance venue, press, theater, bookstore, and
art school in Berlin (1910–1932)—has never before been the subject of a book-length
study in English. InFour
Metaphors of Modernism, Jenny Anger positions Der Sturm at the center of
the avant-garde and as an integral part of Euro-American modern art, theory,
and practice.
