In a novel reminiscent of the work of Penelope Lively, Anne Tyler, and Alice Munro, acclaimed author Marina Endicott gives us one of the most profound and most memorable reads of the year.
Absorbed in her own failings, Clara Purdy crashes her life into a sharp left turn, taking the young family in the other car along with her. When bruises on the mother, Lorraine, prove to be late-stage cancer, Clara - against all habit and comfort - moves the three children and their terrible grandmother into her own house. We know what is good, but we don't do it.
In Good to a Fault, Clara decides to give it a try, and then has to cope with the consequences: exhaustion, fury, hilarity, and unexpected love. But she must question her own motives. Is she acting out of true goodness, or out of guilt? Most shamefully, has she taken over simply because she wants the baby for her own?
