Juan Downey 1940-1993 is intended to show the Chilean artist, whose work foresaw the future of technology as a driving force, and in correspondence with this vision, manifested a constant concern for the relations between humankind and technology throughout his prolific career. Downey's practice developed against the backdrop of cybernetics' systemic view of the world; one recast in computational terms as a series of homeostatic systems regulated by feedback dynamics. It contains 422 artworks by the artist, the largest compilation of his work till this day.
