Luka Arsenjuk
considers Sergei Eisenstein as a filmmaker and a theorist, drawing on
philosophers such as G. W. F. Hegel and Gilles Deleuze—as well as
Eisenstein’s untranslated texts—to reframe how we think about the great
director and his legacy. A landmark work on an essential filmmaker,Movement, Action, Image, Montagebrings new elements of Eisenstein’s
output into academic consideration.
