Indonesia, South Africa, Estonia, Lithuania, Shetland, Nicaragua: many worlds meet in these poems as nature dyes Sujata Bhatts many languages with its own hues. The real merges with the surreal, certainties are undone in an open-ended quest.
A Chinese cook ignores a predatory snake, a heart surgeon lives most intensely between operations, Gregor Samsas sister proposes a different sort of metamorphosis, someone listens to the Holy Ghost sing, a woman hears her daughters voice in birdsong - and the poppies in translation mutate according to the languages and histories they inhabit, ultimately persisting in a space beyond language.
At times, language itself is injured by history: Bhatt reimagines the haunted undertow of post-war German as experienced by Paul Celan and Ingeborg Bachmann. Meanwhile, the poppies are ever-present, with their black souls in the wind.
