A century of posters protesting political and social evils and offering alternatives to tyranny This issue of Lars Müller Publishers and the Museum für Gestaltung's Poster Collection series, presented in a new design, offers works from the last 100 years that demonstrate the tradition of the poster as a medium for protest and assert its validity and necessity in the present day. Peace appeals, reminders of human rights, calls to protect nature-since the 1920s, posters have proved an effective medium accompanying social and political struggles worldwide. While some posters are meant to shed light and are aimed at reflection, others appeal more strongly to the emotions of their audience. Dystopian images function as a provocation and warning, while utopian messages keep the belief in change alive. The designers of these posters, acting individually or collectively, are united by commitment and an emancipatory attitude as well as the conviction that resistance requires its own aesthetic to be effective. Artists and collectives include: Atelier Populaire, Asamblea de Artistas Revolucionarios de Oaxaca, ASARO, Anna Berkenbusch, Chaz Maviyane-Davies, David Tartakover, James Victore, Luba Lukova, Marlena Buczek Smith, Plazm, San Francisco Poster Brigade, Tomi Ungerer. AUTHORS: Bettina Richter is the editor of the Poster Collection series from the Museum für Gestaltung Zürich. Silas Munro is the author of Strikethrough: Typographic Messages of Protest at Letterform Archive (2023). He is founding faculty and chair emeritus for the MFA Program in Graphic Design at Vermont College of Fine Arts. SELLING POINTS: . Since the early revolutionary movements of the 20th century, mass-produced posters have both documented and publicized sociopolitical struggles across the globe. . Volume 37 of Lars Müller's ongoing Poster Collection series dedicated to posters of resistance from the 1920s to the 2020s. Bonus: includes a text by Silas Munro, editor of Letterform Archive's popular book on typographic resistance, Strikethrough. . Protests have been taking place weekly throughout the US this year-successful visualizations of resistance could not be more timely. 128 illustrations
