As opined by the book's title, this is a publication focused toward the shared spaces and communal sensibilities of a city, rather than an attempt to survey the entire contemporary output of this anomalous nation. In essence, the study is a concentrated one of modern Havana, taking note of those artistic, cultural, socio- economic and anthropological influences on its art scene without the intent of becoming pedagogic in the process. Including major contemporary figures such as Juan Carlos Alom, Celia y Junior and Eduardo Ponjuan, The Spaces Between discusses the modern current of unfocused politicisation within the works featured, where issues of money, identity and bureaucracy are garnered from each viewers reading and imagination, suggesting reflections of the current emphasis on the spectator as a contributor to the making of meaning. Published in collaboration with the Morris and Helen Belkin Art Gallery, Vancouver, the book maintains the ambient approach of the partnering exhibition in an attempt to depict the context of Havana artists in the modern era. In part it discusses the lo-tech necessities of contemporary artists working in the city today, which has formed if not a coherent style, then a municipal approach to practice. As such, much of the work uses recycled materials or simple video and text-based elements to convey its meaning in a manner more diverse and ambiguous than prior generations of Cuban artists. SELLING POINTS: ? Published in collaboration with a major 2014 exhibition of the same name at the Morris and Helen Belkin Gallery, Vancouver. ? Alongside students or readers of contemporary art, the title will appeal to those interested in socio-economic theory and Central American contemporary history. ? Lavishly illustrated, the book as a standalone title will mirror the ethos of the exhibition in its focus on contemporary Cuban art's refreshingly lo-tech approach within the global art world as a whole 119 colour and b/w illustrations
