Splatter Capital argues that the emphatically messy brand of horror mobilized in gore films is extremely responsive to the internal contradictions that threaten the future sustainability of capitalist accumulation.
Splatter Capital sheds light on the revolutionary potential of cinema and how it reflects, even and especially in its margins, the economic and political fears of its day. In doing so it acts as a source of both theoretical and practical knowledge for surviving the horror movie we collectively inhabit.
