Sub Culture explores the crucial role of the submarine in modern history, its contribution to scientific progress and maritime exploration, and how it has been portrayed in art, literature, fantasy and film. Ranging from the American Civil War to the destruction of the Kursk, the book examines the submarine's activities in the First and Second World Wars, the Cold War, and in covert operations and marine exploration to the present day. Citing the submarine, particularly the nuclear submarine, as both ultimate deterrent and doomsday weapon, Sub Culture examines how its portrayal in popular culture has reinforced, and occasionally undermined, the military and political agendas of the nation states that deploy it. 'Medhurst has crafted a unique and provocative work which shows how the submarine has a more significant role in political history, popular fiction and collective psychology than we ever suspected. Lucid, well-judged, and informative, Sub Culture is an easily navigable political and cultural history, and a highly engaging read.' — David Stubbs, author of 1996 and the End of History and Mars by 1980: The Story of Electronic Music'From Jules Verne’s Nautilus to the Beatles’ Yellow Submarine, from American and Soviet nuclear submarines to the exploratory submersible that movie director James Cameron used to go to the bottom of the Mariana Trench, submarines have long had a prominent role both in geopolitical strategy and at the heart of popular culture. In Sub Culture Medhurst gives readers a comprehensive, deeply thoughtful, and also delightfully amusing tour of the different roles that the submarine has played in our collective imaginations.' — Steven Shaviro, professor of English, Wayne State University, author of Post Cinematic Affect and Discognition'Sub Culture is a wide-ranging and thoughtful account of the submarine in film, literature, and contemporary history. It offers both an introduction to its use as a setting and a sophisticated reflection on its significance to modern history, cultural representation, and global geopolitics. It will appeal alike to the film enthusiast, those interested in military and political history, and the general reader.' — Louis Bayman, lecturer in film studies, University of Southampton, author of Popular Italian Cinema and Journeys on Screen: Theory, Ethics, Aesthetics'As clear-eyed and rigorous a writer as we possess, Medhurst turns to cultural analysis with the intriguing choice of the submarine as his object. What follows is a mapping and dismantling of the submarine in political and popular culture of astonishing originality and breadth. Sub Culture simply has no right to be this entertaining.' — Warren Ellis, author of the comic book series Transmetropolitan and Planetary, and the novel Gun Machine
