Serving together a mix of traditional movie signage and transgressive shout-outs, SuperTrash collages a trail of freakish delights and intellectual spin-kicks that track the co-dependencies of art and trash through sly, uncompromising essays about new wave hookers, bad gods, hermaphro chic, and, of course, Lee Marvin. Part psychedelic psychotronic, part poster poster book, part album cover book, part paperback pulp book: interdisciplinary, quantal, and polyglottal, SuperTrash is surrealism for the 21st century.
