The book evokes the strong bond between art and literature, and of ekphrastic writing that evokes images by highlighting hidden relationships and implied mysteries. The result is a moving collection of poems and short stories revealing the profound state of existence and the fate of our torment, the inevitability of suffering, and of our helplessness from pain.
As Tinti says "this partnership moves from the rubble, passes through cemeteries, sniffs out the signs of what has gone. Roger Ballen's photos, my words, are a kind of defense against the terrible power of death. They are an accumulation of enthusiasm, injuries, obsessions. They are effigies composed to disturb the reader, to ambush the thought, the things".
