The Midnight Hour

The Midnight Hour by Elly Griffiths


ISBN
9781787477599
Published
Binding
Paperback
Pages
368
Dimensions
153 x 234mm

A twisty new murder story from the bestselling author of the Dr Ruth Galloway Mysteries. An old man lies dead and it looks like poison, but his wife isn't the only one who had reason to kill him.

Brighton, 1965

When theatrical impresario Bert Billington is found dead in his retirement home, no one suspects foul play. But when the postmortem reveals that he was poisoned, suspicion falls on his wife, eccentric ex-Music Hall star Verity Malone.

Frustrated by the police response to Bert's death and determined to prove her innocence, Verity calls in private detective duo Emma Holmes and Sam Collins. This is their first real case, but as luck would have it they have a friend on the inside: Max Mephisto is filming a remake of Dracula, starring Seth Billington, Bert's son. But when they question Max, they feel he isn't telling them the whole story.

Emma and Sam must vie with the police to untangle the case and bring the killer to justice. They're sure the answers must lie in Bert's dark past and in the glamorous, occasionally deadly, days of Music Hall. But the closer they get to the truth, the more danger they find themselves in...
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Description
Information
Reviews
A twisty new murder story from the bestselling author of the Dr Ruth Galloway Mysteries. An old man lies dead and it looks like poison, but his wife isn't the only one who had reason to kill him.

Brighton, 1965

When theatrical impresario Bert Billington is found dead in his retirement home, no one suspects foul play. But when the postmortem reveals that he was poisoned, suspicion falls on his wife, eccentric ex-Music Hall star Verity Malone.

Frustrated by the police response to Bert's death and determined to prove her innocence, Verity calls in private detective duo Emma Holmes and Sam Collins. This is their first real case, but as luck would have it they have a friend on the inside: Max Mephisto is filming a remake of Dracula, starring Seth Billington, Bert's son. But when they question Max, they feel he isn't telling them the whole story.

Emma and Sam must vie with the police to untangle the case and bring the killer to justice. They're sure the answers must lie in Bert's dark past and in the glamorous, occasionally deadly, days of Music Hall. But the closer they get to the truth, the more danger they find themselves in...
ISBN:
9781787477599
Publication Date:
28 / 09 / 2021
Pages:
368
Dimensions:
153 x 234mm
An engrossing murder mystery set in 1965
The Midnight Hour is an entertaining and engrossing mystery, somewhat lighter in tone than Elly Griffiths' Ruth Galloway books, but just as well-written in terms of plot and character development. I'd recommend it to any reader who enjoys traditional-style murder mysteries and engaging female protagonists. It's 1965 and Emma Holmes and Sam Collins, who have recently opened their own private investigations agency, are called in to investigate after the sudden death of retired theatre impresario Bert Billington at his home in Rottingdean. Billington's death at first appears to have been by natural causes, but is subsequently determined by police investigators to be a poisoning. His widow, former show girl Verity, is keen to dispel suspicions that she's responsible, engaging Emma and Sam to find the real culprit. As they sift through the evidence, including a few red herrings, and gradually untangle the complex web of relationships that exists between the various parties, Emma, Sam and WPC Meg Connolly hurtle towards a dramatic climax. This novel departs significantly from earlier instalments in the series, which featured Brighton CID detective (now Superintendent) Edgar Stephens and magician-actor Max Mephisto as central protagonists. In The Midnight Hour, it is Stephens' wife Emma Holmes, a former police detective herself, together with her investigative partner Sam Collins and WPC Meg Connolly, who feature most prominently, with Stephens and Mephisto playing their roles as supporting characters. This change enables Elly Griffiths to explore the issues facing working women in the 1960s, and the embedded misogyny that existed in both the public and private spheres. The historical setting also allows Griffiths to draw in contemporaneous events, such as Sam's coverage of the arrests of Ian Brady and Myra Hindley, perpetrators of the notorious "Moors Murders", adding verisimilitude to the narrative.
, 19/02/2022

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