The chalk grasslands of Salisbury Plain have been used since 1897 as a preparation ground for war. The heart of this ancient English landscape is an eerie and ambiguous space. Riven with contradictions and curiosities, The Plain continues Friend's investigation of everyday militarisation, revealing how war is embedded in this most English of landscapes. The Plain includes an essay by Matthew Flintham, artist and writer. It is co-edited by Pippa Oldfield, Head of Programme at Impressions Gallery and author of Photography and War (Reaktion, 2019).
