This book
Includes contributions from scholars around the world reflecting on a range of different materials and time periods, emphasizes the situatedness and fluidity of authenticity concepts.
examines how "authenticity" relates to four major aspects of cultural heritage in China - Art and Material Culture; Cultural Heritage Management and Preservation; Living and Intangible Heritage; and Texts and Manuscripts - with individual contributions engaging in a critical and interdisciplinary conversation that weaves together heritage management, art history, archaeology, architecture, tourism, law, history, and literature.
Moves beyond conceptual issues and considers the practical ramifications for work in cultural heritage management, museums, and academic research.
provides an opportunity for reflection on the contingencies of authenticity debates - not only in relation to China, but also anywhere around the world.
will be of interest to scholars and students in a variety of fields, including heritage studies, Asian studies, art history, museum studies, history and archaeology.
